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George Morland The Reckoning oil painting


The Reckoning
Painting ID::  94471
George Morland
The Reckoning
beofre 1902 cjr

   
   
     

George Morland The Labourer's Luncheon oil painting


The Labourer's Luncheon
Painting ID::  94472
George Morland
The Labourer's Luncheon
cjr 1792

   
   
     

George Morland Dogs In Landscape - Setters Pointer oil painting


Dogs In Landscape - Setters Pointer
Painting ID::  94474
George Morland
Dogs In Landscape - Setters Pointer
1792 cjr

   
   
     

George Morland Theodor Kittelsen oil painting


Theodor Kittelsen
Painting ID::  97725
George Morland
Theodor Kittelsen
Oil on canvas. 1879 cyf

   
   
     

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     George Morland
     English genre, animal, and landscape painter, 1763-1804 was an English painter of animals and rustic scenes. Morland was born in London on 26 June 1763. His mother was a Frenchwoman, who possessed a small independent property of her own. His grandfather, George H. Morland, was a subject painter. Henry Robert Morland (c. 1719 ?C 1797), father of George, was also an artist and engraver, and picture restorer, at one time a rich man, but later in reduced circumstances. His pictures of Jaundry-maids, reproduced in mezzotint and representing ladies of some importance, were very popular in their time. At a very early age Morland produced sketches of remarkable promise, exhibiting some at the Royal Academy in 1773, when he was but ten years old, and continuing to exhibit at the Free Society of Artists in 1775 and 1776, and at the Society of Artists in 1777, and then sending again to the Royal Academy in 1778, 1779 and 1780. His very earliest work, however, was produced even before that tender age, as his father kept a drawing which the boy had executed when he was but four years old, representing a coach and horses and two footmen. He was a student at the Royal Academy in early youth, but only for a very short time. From the age of fourteen he was apprenticed to his father for seven years, and by means of his talent appears to have kept the family together. He had opportunities at this time of seeing some of the greatest artists of the day, and works by old masters, but even then a strange repugnance for educated society showed itself, and no persuasion

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